Spoken Word and Music
Janet Hamill and Bryan Hamill, music, performing together from “Body Of Water”
Diana Manister with music by Steve Cialino
Saturday, July 25, 4 p.m.
Bowery Poetry Club
308 Bowery, NYC
212-614-0505
$5

This visual poem occurs at a point in my long text poem concerning a combat veteran whose memories of what was done in war are being unsuccessfully repressed. Alfred Hitchcock’s murder mystery Frenzy about a London murderer triggers memories the poem’s narrator would rather not recall. The movie and actual combat recollections mix in the confused mental state the subject is experiencing.
Hubble a Cosmic Cleave
Of the years of being
lost in space. homeless in a
placeless place
only the falling
feeling remains and all the stars
whistling away like jet planes
***
Youtube video of Diana performing Hubble at The Bowery Poetry Club on 5th November 2008.
**I’ll be reading my cleave suite: “Dancing with Mary Shelley and Henry James” at this performance. Hope to see you there! Diana”**
Bowery Poetry Club
Wednesday, November 5, 8 pm
Tone Poem
Featuring:
John Farris
Deborah LaVeglia
Diana Manister
Nick Matros
Joe Maynard
Susan Scutti
$7 at door
308 Bowery Street(Between Houston and Bleecker)
F train to 2nd Ave, 6 to Bleecker
New York
212-614-0505
This is for those who enjoy the spooky: a repeat of Diana Manister’s great cleave suite.
Dancing with Mary Shelley and Henry James
A Cleave Suite
the phantasmagoric audience – all of them having
strangely - the same face
takes the stage, - multiples of one man
acting all the parts - a replicating fantôme
in the dark - populating the nightscape
of dreaming’s Cartesian theater – by morning melting away
withdrawing into daylight - uncovered by lightless night
The place, with its gray sky and withered garlands, its bared spaces and
scattered dead leaves, was like a theater after the performance — all strewn
with crumpled playbills …
the entity - I
the first person – me or mine
is it separate or – just a named hallucination
a wave in a sea of they – a drop of rain
Whisper Your Name Three Times Into the Wind and It Will Go
to that imaginary land of – signs
titles, drawings & stories - of love
songs alluding to – April’s fragrance
facsimiles of – r e a l sun
showerless – showers
counterfeit flowers - bees in the buddleia
always a step away from sensations – feelings and real places
nothing is wonderful but the word - W O N D E R
leaving behind a sigh - a n e x h a l A t i o n
whose name blew away – on a windy day
a word as virtual as signified snow – let it rise as a whisper and go
I saw the master — nothing could be more evident — in the light of an intense
emotion,and I trembled, I remember, in every limb, while at the same time, by a
blest fortune, emotion produced no luminous blur, but left him shining indeed,
only shining with august particulars.
I busied myself with – concocting a tale
a story – that would speak to
mysterious – fears
awakening dread – quickening the blood
I saw a body – made of ghastly fragments
stolen from a graveyard – showing signs of animation
moving eerily – due to its creators skill
the pale student of unhallowed arts – making that progeny conscious
cackling in triumph – alive at last
I caught him, yes, I held him — it may be imagined with what a passion; but at
the end of a minute I began to feel what it truly was that I held.
seemingly normal – nodding responses
but hollow inside – cognizant, bright
having no lack of – emotional
affects yet not – conscious of being
a self – in a condition of
rather uncanny – I-less life
cloned with indifference or cloned with a difference
The story had held us, round the fire, sufficiently breathless, but except the
obvious remark that it was gruesome, as, on Christmas Eve in an old house, a
strange tale should essentially be.
despite disaster - this single thing
language remains – survives the damage
panic forms – phrases
sentences – take shape
writing alone escapes – from nothing’s pure night
so
let us go then you and I – along with our alters
under the Titian-white sky
what is the nouveau siècle to its whyless wide
to its dumb sun
all of us subsequents – formed by the story
until the text ends
Wonderful was it thus to see, and thrilling inwardly to note, that since the
question was of personal values so great no faintest fraction of the whole could
succeed in not counting for interest.
Dancing with Mary Shelley and Henry James
A Cleave Suite
the phantasmagoric audience – all of them having
strangely - the same face
takes the stage, - multiples of one man
acting all the parts - a replicating fantôme
in the dark - populating the nightscape
of dreaming’s Cartesian theater – by morning melting away
withdrawing into daylight - uncovered by lightless night
The place, with its gray sky and withered garlands, its bared spaces and
scattered dead leaves, was like a theater after the performance — all strewn
with crumpled playbills …
the entity - I
the first person – me or mine
is it separate or – just a named hallucination
a wave in a sea of they – a drop of rain
Whisper Your Name Three Times Into the Wind and It Will Go
to that imaginary land of – signs
titles, drawings & stories - of love
songs alluding to – April’s fragrance
facsimiles of – r e a l sun
showerless – showers
counterfeit flowers - bees in the buddleia
always a step away from sensations – feelings and real places
nothing is wonderful but the word - W O N D E R
leaving behind a sigh - a n e x h a l A t i o n
whose name blew away – on a windy day
a word as virtual as signified snow – let it rise as a whisper and go
I saw the master — nothing could be more evident — in the light of an intense
emotion,and I trembled, I remember, in every limb, while at the same time, by a
blest fortune, emotion produced no luminous blur, but left him shining indeed,
only shining with august particulars.
I busied myself with – concocting a tale
a story – that would speak to
mysterious – fears
awakening dread – quickening the blood
I saw a body – made of ghastly fragments
stolen from a graveyard – showing signs of animation
moving eerily – due to its creators skill
the pale student of unhallowed arts – making that progeny conscious
cackling in triumph – alive at last
I caught him, yes, I held him — it may be imagined with what a passion; but at
the end of a minute I began to feel what it truly was that I held.
seemingly normal – nodding responses
but hollow inside – cognizant, bright
having no lack of – emotional
affects yet not – conscious of being
a self – in a condition of
rather uncanny – I-less life
cloned with indifference or cloned with a difference
The story had held us, round the fire, sufficiently breathless, but except the
obvious remark that it was gruesome, as, on Christmas Eve in an old house, a
strange tale should essentially be.
despite disaster - this single thing
language remains – survives the damage
panic forms – phrases
sentences – take shape
writing alone escapes – from nothing’s pure night
so
let us go then you and I – along with our alters
under the Titian-white sky
what is the nouveau siècle to its whyless wide
to its dumb sun
all of us subsequents – formed by the story
until the text ends
Wonderful was it thus to see, and thrilling inwardly to note, that since the
question was of personal values so great no faintest fraction of the whole could
succeed in not counting for interest.
A Bawdy Poet Laureate Enjoying Naughty Nights
our dreams – disguises
_____relieve – our
_______days – null
_____nought – fraughts
_____________The Zombie Problem
see:
“I set a goal for this poem that I think uses the bilaterality of the form. I wanted each vertical reading to produce a different meaning, both of which blend into the third overall reading.” Diana Manister
Cleave poem: © 2008 Diana Manister
__________Elsa Lanchester-Bride of Frankenstein
__________Diana Manister-Dennis Kelly
____Elsa Lanchester plays – Mary Shelley and
____Bride of Frankenstein – all women knowing without a doubt
what research now shows – that Baron Frankenstein guys
______most mad scientists – played by Colin Clive types
________are deeply in love – are deeply in love with themselves
____“It’s alive!! It’s alive!!” - “It’s alive!! It’s alive!!”
______________“It’s alive!!” - “It’s alive!!”
_______________“It’s Me!!!!” – “It’s Me!!!!”
_____________“Eternally!!!” – “Eternally!!!”
______________“Forever!!!” – “Forever!!!”
___________________“Me!!!” – “Me!!!”
Cleave poem: © 2008 Diana Manister & Dennis Kelly
________________________________REM
see:
Cleave poem: © 2008 Diana Manister
Diana Manister is New York City poet who has performed her poetry live at such various
venues as the late lamented punk rock club CBGBs, famed St. Mark’s Church Poetry Project,
The Living Theater and at Carnegie Hall where she was a winner in the Lyric Recovery Festival.
A Contributing Editor of the ezine BigCityLit.com, she is also an elected member of the American Branch of the International Critics Association (AICA). Her poetry reviews appear regularly in The Modern Review and online at BigCityLit, about.com, small press exchange and artezine. Her poems have been published in print and web publications including PoetryRevolt, Autumn Sky, Salonika, Big Bridge, Waterworks and others, and anthologized in Distance From the Tree and The Company We Keep from Headwaters Press.