The Cleave Poetry Webzine [ISSN: 1758-9223]

Posts Tagged ‘cleave poetry’

Call for submissions: collaborative cleave poems in the Cleave Matrix

In announcement on May 26, 2009 at 8:50 pm

We are looking for poets to collaborate and create cleave poems together online, for anyone to watch.

For many the thought goes against the grain – creating something that is not entirely their own.

There is a level of vulnerability also.

There is also the possibility of doing something new, catching the edge of a new wave.

There are other collaborative poetry projects such as likestarlings, mygorgeoussomwhere, poetrycollaborative.

For those willing to get involved please email cleavepoetry @ gmail dot com with Cleave Matrix in the email title line.

I will then pair you up with another poet.

The poems that pass muster will be published here in The Cleave.


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Boy Blue by Janet Hamill

In submission on December 1, 2008 at 11:57 pm
                       Boy Blue

Weary of waiting, blue boy  Following the map of a vanished sea

 Blue lights in the harbor  blue sails carry you through
                            twilights obscuring your lodestar
                            with the dusk

  Dark-adapted eyes in the
      period of blindness,  between the gods departed and the
                            gods yet to come

      all that is rare and
                 excellent  furnish your happy isle’s
                            watchtower of white 

 All the soul’s companions
          all that you see  the music of grazing horses plays
                            on the shore

  Shaped by the charity of
             the firmament  blue boy gold scales begin to rise

            Over the water  at the edge of the dreamline

  prevailing winds favor a
                  crossing  go on ahead

The deepest chamber of the
   night will restore your
           exhausted wings  Go on ahead there,

                            The shimmer of leaves breathes a song
                            without words

there is pleasing variety
    in the moon and stars
    awaiting your imprint  and corals lie lost from the track
                           of the world


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KEROUAC by Janet Hamill

In submission on December 1, 2008 at 11:56 pm
I had nothing but I had a grey tee shirt I ironed on black velvet letters
KEROUAC
I had nothing I had four walls on St. Marks Place a bottle of Calvados and the silence of the universe
I had nothing but I had you
From sea to shining sea east to west   north to south
Atlantic Pacific Arctic Antarctic Indian Ocean and the eighth mar incognito over under inside and outbeyond everything
I had you I had words lines and paragraphs rushing down mountainsides high above the timberline from Desolation Peak to 242 choruses of blues for the Buddha and fellaheen of Mexico City and every other place
I had your footprints on the beach in Tangiers your palm print on the wheel of impermanence
your dreams of long childhood walks under the old trees of New England your athlete’s body your flannel shirts your handsome face on the fire escape on E. 7th Street
just before the invocation of Duluoz inhaling one last Lucky Strike for the pent-up aching restless road
farewell subterraneans and water towers of Manhattan it was time for all that coming back to America
the Lincoln Tunnel oil tanks and anemic skies in New Jersey Route 80 over the Delaware the road unraveling
the road sufficient unto itself a twentieth-century pilgrim’s way
a home for the tathagata passing through the railroad earth   the gas station night the bebop radio wail of Charlie Parker’s saxophone clear across Kansas
to San Francisco the little alley off Market Street Tokay in a paper bag at the mouth of Bixby Canyon
Big Sur’s ocean roar of vowel sounds from the far side of eternity
waves laying better than a thousand transcendental diamonds of compassion at your feet even to the end I had you
to the maenads of fame tearing you to pieces in the glow of a television set in Florida
to whats buried in Lowell’s Edson Cemetary Ti Jean nothing’s buried there
the dust of your sacred bleeeding Catholic heart with that of the holy ghost
and certain mad and driven saints has been placed among the stars
I had nothing but I had a grey tee shirt And I ironed on black velvet letter
KEROUAC

Often inspired by her travels through southern Europe, Morocco, Egypt, Sudan, Ethiopia, Kenya and Tanzania, Janet Hamill has published 5 books of poetry: Troublante, The Temple, Nostalgia of the Infinite, Lost Ceilings,  and her most recent, Body of Water in 2008, with photographs by Patti Smith. Hammill has released two CDs: Flying Nowhere and Genie of the Alphabet. A strong proponent of the spoken word, she has featured at readings in the U.S., England and Ireland.

Of Body of Water Anne Waldman wrote: “Janet Hamill turns her wizard poet’s eye on an immense body of alchemical empathies”, and Patricia Spears Jones said “Hamill’s mastery of form and feeling come together to create a poem that delicately examines celebrity, gallantry, silence, talent, and beauty. Only a poet could do that. Or maybe only Janet Hamill.”

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Migration by Phuoc-Tan Diep

In media, submission on November 30, 2008 at 8:13 am

Migration

Swifts and swallows leave – while I grasp for memories like

fruit – remnants of home

riddled with holes – my baby cools in my arms

dripping fermented juice – the milk from her mouth

sweet – sticks under my fingernails

under blushing trees – the guards, with eloquent guns, demand my  coat

those that can’t leave expect a cold winter – they smirk at my battered sweetbox

with its few hopes – inside are smuggled postcards of thatched houses

and promises – of English orchards.

This cleave poem was written specifically for the “Don’t be a stranger” initiative launched at this year’s Evangelical Alliance flagship event The Temple Address 2008, given at The Royal Society on the 27th November by The Archbishop of York; The Most Reverend and Right Honourable Dr John Sentamu. The cleave is included in the booklet accompanying this initiative and on the EA website and in upcoming press releases.

image001

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Afterwards, Janet: A Murder Mystery in Speech Acts by Diana Manister

In submission on November 29, 2008 at 7:40 am
12janet6x9mrg



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Split in Two (or three) by P.A.Levy

In submission on November 28, 2008 at 7:59 am

Split in Two (or three)

I’ve held -……. night time skies laden with dreams,
stars -………….. and the moon, whose orbit follows lines
in my hand -.. laid down into darkness moulded by caresses,
until light -….. touch of pleasures; sweet songs
escaped -……… crashing into prism colours,
out through -. sonnets I wrote on your flesh
my fingers -…. tracing every wish into a couplet
and then -……. sealing every letter of love with a kiss
I just held -….. and held you until morning became clothed in mists;
cloud -………….. castles crumbled on the drift and I was lost in echoes
whispers -……. that blue is here to stay forever.

P.A.Levy, having fled his native East End, now hides in the heart of Suffolk countryside learning the lost art of hedge mumbling.  He has been published in several magazines, although these days he spends far too much time controlling his characters on the Clueless Collective website at: www.cluelesscollective.co.uk.


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After Reading Shelley and Hearing Krenwinkel is up For Parole Again by Laurie Byro

In submission on November 27, 2008 at 7:13 am

After Reading Shelley and Hearing Krenwinkel is up For Parole Again

by Laurie Byro

A greater impact is
absence as you                Troublesome Love
wield your chisel creating
somebody else’s wound         you are thwarted by
                              inconvenience.
Are you the one?
                              It is the silver hour
                              Crickets will chorus
One of the unfortunate
who settles your stiff legs
into a hunter’s stance
after you claim the body?     in the four corners
                              of my room. 

They will say, as any smart
family will say,
I have gone to Ireland
to be with my aunt.           Soon I will rise, Ophelia’s
                              wet hair clinging to my legs
                              like strands of lake-grass.
You have left me, but I will
walk away from you,
this time.                    Call me the only Romantic
                              in your mad maid’s circle.
You, who have been
with a man.                              

But bury me under a Pointing Tree its fingers brown
from its work under the sun, not woman’s work on paper
falling and covering me as you should have done had you
not preferred my sister.
 ========================================

Laurie Byro is a thrice nominated Pushcart Prize poet who has been published widely in the United States, Canada and the United Kingdom. Laurie lives in Northern New Jersey where she works as Head of Circulation in a library and facilitates “Circle of Voices.”


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Descending a Double Helix Staircase by Margot Brown

In submission on November 26, 2008 at 7:11 am

….Descending a Double Helix Staircase

On Ativan …………………..for my trouble with heights
..I can open my eyes………………I wobble with fright
in this merciless mouth of air…………trembling
……each edge a precipice………no stable sight
…….disoriented…………like a drunk baby ape
………..flailing for a vine…..aloft, out of synch
……….…oh! for a drink…….thirsty from fear
…………….descend……….steps tentative
..……………….swaying…………twisting
…..………………imagining……..falling
………………….……falling….calling
…………………………….calling

………………………………fall
………………………………ing


Margot Brown was born and raised in Massachusetts and now lives in Northern Illinois with a Hurricane Katrina evacuee (Miss Kitty), and her husband, Michael Morrison. Margot’s poetry has appeared in joyful!, The Shine Journal and The Boston Literary Magazine and in an upcoming anthology, Poetry for Suzanne, published by Avalanche.

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Please Burn This Poem, Plant this Poem by J.S. MacLean

In submission on November 24, 2008 at 7:28 am

………………………..Please Burn This Poem, Plant this Poem

To write a cleave…………………………………………..if it is three poems
won’t be easy………………………………………….or one long one folded
the usual symmetrical……………………..bilateral or triclinic trimeter
approach is to take………………………………………..two to make three
ideas and explore……………………………….more than one the sonnet
all ins and outs……………………………………..or if I actually amputate
with technique………………………………..a formula with three results
until it sounds……………………………………..just like temporal fission
like a Bach’s……………………………………………….C Major Solo Violin
Sonata…………………………………………………………or a Coltrane tune
single melody…………………………………………………………..streaming
into three………………………………………………………………at least two
coexisting………………………………………………..simultaneous in time
if it works………………………………………….in some mysterious world
if a secret door unlocks……………………where you need three sexes
will three know……………………………………………………….to connect
and still respect………………………………………………………each other
in triplicate………………………………………..expecting baseball teams
_____________________________________________
Maybe if I use a mirror…………………………………………………so I did
.write on the glass…………………………………………peer over the top
holding up to another…………………………………..and there I was
….trying to make sense……………………………..in a two way world
…..of a cleavage………………………………………..layered and lucid
…….like sheets of isinglass…………………..for a furnace window
……….but the poems are looking out…..three no four no more
…………a trillion I suppose……..spawning darkness an abyss
………….behind the isinglass………of monoclinic evil hordes
………………but they are the isinglass……..but all is glass
………………….or just like glass…………….like isinglass
……………………….isn’t it glass………………or isn’t it
…………………………….isinglass……..I guess it is
…………………………………………..isn’t it
……………………………………………..or
……………………………………………..is
……………………………………………..it

J.S. MacLean lives in Calgary Alberta, Canada. His poetry has been published in
online and print publications including This Magazine, The Maynard, Beano Anthology
and Vidya and will appear in upcoming issues of  Every Day Poets and Perspectives.


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A Compass Rose, Explained to a Raindrop by Andrea Defoe

In submission on November 22, 2008 at 7:03 am

A warm welcome to Andrea Defoe.

*

A Compass Rose, Explained to a Raindrop

North, then Northwest – from the black river, – so this is Northeast:

from where the road forks – you empty out into - a pristine lake

you choose like Frost – a manmade reservoir - poisoned with mercury

but both ways are so paved – with a foot-shaped floor - like the god took a swim

as to show no wear – like a shoe slipped off - and abandoned

but if you continue West – to the center, a giant - Eastern style artesian well

you’ll flow into a kettle – cartographer’s teacup - brimming

a glacial relic – all chipped clay and oldness - with a good spring

like the cool grottos – awful musty - and out of use

to the Southwest there are – tents in a campground, – doors facing Southeast

thunder clouds – angled roofs for rain - shut windows

that call you up – so you can drip down - and you’re kept outside

so you can boom – and make mud, – because weather is dirty

feed that hurricane brewing down South.

*

Andrea Defoe lives with her family on the Red Cliff Indian Reservation in northern Wisconsin.

She prefers to think of herself as being at least of few cats shy of crazy cat lady, but she’s

honestly not sure. Her poems have appeared in various literary journals, most recently:

Rattle, 32 Poems, New American Writing and Margie.


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Pastor in White by Thane Zander

In submission on November 21, 2008 at 6:53 am
                    Pastor in White

    I begged the minister - to bow down to an unknown God
     support my matrimony - as we preached to John
 creating a new inference - to demonise George - King
   and passing the Grace, - unto facts of insobriety
I stood firm, knees tight - and passing judgement on the Christ
       nailed to the wall - where the blood dried and
      we spoke in tongues - a Pastor in White washed.


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Simple by Thane Zander

In submission on November 19, 2008 at 7:26 am
      Simple
 Simply - disassociate
   pass - rubble
   wind - clocks
breathe - smoke
choking - cigarettes
  tears – overwhelming

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One last thing by Carol Lynn Grellas

In submission on November 17, 2008 at 7:16 am

Please welcome another new cleave poet – Carol Lynn Grellas.

               One last thing

      Bury these words - someday
   they’ll be too real - if read out loud
        too convoluted - you won’t understand
  such shocking things - these thoughts and dreams
all better left unsaid - conceal the remnants
    cover up the truth - this final rubbish
          my only poem - and lasting proof
         your souvenir - of all that was unspoken.

Carol Lynn Grellas is the author of two chapbooks:
Litany for Finger Prayers, forthcoming from Pudding
House Press and Object of Desire available from
Finishing Line Press. She is a two-time Pushcart
nominee and widely published in magazines and
online journals, including most recently, The Hiss
Quarterly, Flutter, Oak Bend Review and an electric
chapbook, Desired Things from Gold Wake Press.
She lives with her husband, five children and a
blind dog named Ginger.


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The Verdant Lore by Ernesto Pangilinan Santiago

In submission on November 15, 2008 at 7:14 am
           The Verdant Lore
     by Ernesto Pangilinan Santiago

       On the page - of this lore
painted verdant by - the rod of God
   a word traveler - unveils

           A song, - its charm
 perhaps, sounding - on the mystic
              blue - sea

 Amidst the echoes - of peripheral visions
  his thoughts are - dancing wildly in the
            orphic - wind

              Like - the twists
         of leaves - in early Autumn
   that innocently - falling in passion,
   seeking a home, - to entertain the souls

 He sighs through… - the remnants of dreams
 and finds himself - a proverbial comfort

  In the breath of - this blossoming page is
   a verdant lore, - the scents of my life


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Cloven by Mal

In submission on November 13, 2008 at 7:12 am

…and another new cleave poet; a mysterious cleave poet by the name of Mal…

                     Cloven by Mal

Chief Joseph Pass
the apex                    of the distribution curve
                            where we should be
on schedule
on time                     on a slick curving road
about to descend
into the Big Hole
                            there are no potholes in the surface
                            of space

that we negotiate           without conceptualizing
aware                       that we’ve been here before

that we are allowed to pass through this grand trick
                            of what we cannot observe

without altering
time                        the collision of particles
                            kochia tumbling the highway
A snow gander
spreads his wings
in freeze-up                across the Big Hole River

Bio: Mal, who lives in Montana. Often misplaces his shoes.
Gets 1950's model tail-finned American convertibles
mixed up with deepwater fish, much to his detriment.
Otherwise a mystery.


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Ducks Eggs by Thane Zander

In submission on November 12, 2008 at 7:22 am

A very warm welcome to another cleave poet, Thane Zander.

                  Ducks Eggs
                by Thane Zander

     She ducked-dived - waltzed in the blue pond
     her mane ruffled - the spreading tree making
           extricated - partnership deals
 from within her mind - the light omitted
seven fingers of hope - dancing a polka
   until the last joy - blowing her away.

Bio: Thane is a retired man writing poetry as a full
time occupation out of Feilding New Zealand.
He is a New Zealander born and bred.  His secondary
school was Palmerston North Boys High School,
where he was first introduced to poetry
(WH Auden’s Night Mail).He spent 27 years in the
Royal New Zealand Navy, dabbling in poetry occassionally,
but was invalided out with a diagnosis of Bipolar Disorder
in 2002. He has been retired since trying to cope with
the illness and he turned to poetry as a means to
moderate his moods and to measure his progress with
his illness. To date, in six years, he has written over
900 poems, mostly at several online poetry forums.
He has been published in several anthologies and ezines,
but writes mainly for self gratification.


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This Is My Shadow by Ernesto Pangilinan Santiago

In submission on November 11, 2008 at 7:28 am

Please give a warm welcome to a new cleave poet Ernesto Pangilinan Santiago.


This Is My Shadow

                               This
                                  Is
                                   My
                                 Shadow

               Poetry is my escape - and my cure

                           I float - in word
            like free bird soaring - swiftly
 into the blue sky; freedom is not - found
             in what you can offer - me
              but in what I can do - for my self, without you

                         vacuuming - my whole

                     Oh, my shadow - can only be
seen
by those who are willing to see - me


Poet's Profile: Ernesto Pangilinan Santiago
is a poet and author of “The Walking Man”,
a poetry book published by Outskirtspress.
He lives in Athens, Greece.


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tHe mAgic typEwritEr (cleave poetics 5&6/19) by Dennis Kelly

In submission on November 8, 2008 at 6:53 am
CLEAVE POETICS 5&6 of 19

5.

“This is very
unprovoked thought”
—Clark Coolidge,
Postmodern Poetry:
The Talisman Interviews

          it opened—i caught it
 versions left over—over the edge
       they shifted—down the spinal cord
    all the hyphens—slouching like cats
           sniffing—soft paws on the carpet
   here in the city—craning their necks
getting a good look—thru the gate
       at the other—shape-shifter

6.

“the great
misunderstandings”
—Clark Coolidge,
Postmodern Poetry:
The Talisman Interviews

   it comes here—i don’t know how
      i say this—i’ve lost so much
planting hyphens—slanting it down
    how it grows—nobody knows
       beneath a—night sun moon
       blackness—dark at high noon
     it’s coming—undoing me


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    Hubble a Cosmic Cleave by Diana Manister

    In multimedia, submission on November 7, 2008 at 7:52 am
    Hubble a Cosmic Cleave
    
    Of the years of being
    lost in space.           homeless in a
                             placeless place
    only the falling
    feeling remains          and all the stars
                             whistling away like jet planes

    ***

    Youtube video of Diana performing Hubble at The Bowery Poetry Club on 5th November 2008.


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    Cleave of the Month October 2008 shortlist

    In cleave of the month on November 5, 2008 at 7:25 am

    **Poll closing date: 15th November – congratulations to Diana Manister for October’s Cleave of the Month**

    It’s that time again: (and as the USA is in the mood for voting) please vote for October 2008 Cleave of the Month from this shortlist.

    
    Whisper your name three times into the wind and it will go by Diana Manister
    (From Dancing with Mary Shelley and Henry James A Cleave Suite)
    
                                        to the land of titles - signs
                and diaries drawings and stories - of love
                                           words describing - April's fragrance
                                         distant pictures of - real sun
                                                     showerless - showers
                        facsimilies of spring flowers - and bees in the buddleia
                  always a step away from places - feelings sensations
    nothing more wonderful than the word - wonder
                                 leaving behind a trace - a sigh
    
                               whose name blew away - on a windy day
    ******
    
               Maypole by Andrea Barton
    
                         The
    brightly colored - center - celebration of
                spring - of - ribbons
             held by - poems - this way
              colors - are - dancing
            girls - maypoles - that way
            twirling - driven - skipping
          twisting - into - light steps of
            children - the - laughter and
             hope - earth - in the sun
                       and
                        w
                        a
                        i
                        t
                        i
                        n
                        g
    
    ******
    
                    Argentina by Dennis Kelly
    
    “Los artificios y candor del hombre”
    —Jorge Luis Borges,
    “El golem”
    
      already you can see—the tragic setting
          each thing here—in its appointed place
           the broadsword—the ash destined for dido
                 the coin—ready for belisarius
          why do you weep—searching in lazy
    bronze old hexameters—gone old empires?
      when 7 feet of dirt—waits for you
     a slow rush of blood—Argentina
          watches you now—the mirror of death
          dreaming you up—spitting in your face
     all your crummy dayz—so bourgeois
     goodbye middle class—it was the house
            by the street—you grew up in
     but now peron, evita—Argentina
            wants it back—again
    
    ******
    
      All Along the Campaign Trail! by Jennifer Semple Siegel
    
           In the other gardens -- On the endless networks
           And all up the vale, -- And all through cyberspace,
       From the autumn bonfires -- From Springtime surprises
           See the smoke trail! -- Now see how they placed!
                                 *
           Pleasant summer over -- Conventions now passed
    And all the summer flowers, -- And all summer potshots,
           The red fire blazes, -- O'Biden blazes hot,
         The grey smoke towers. -- McPalin does not.
                                 *
        Sing a song of seasons! -- Sing a song of absurdity!
       Something bright in all! -- All frightful in Fall!
         Flowers in the summer, -- Hucksters all through Summer,
             Fires in the fall! -- One winner nabs all!
    
    --Seed Poem: "Autumn Fires," Robert Louis Stevenson--
    


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    The Truth and Lies of Lovers by K.M. Ryan

    In submission on November 4, 2008 at 7:57 am

    Welcome to a new contributor: K.M. Ryan with a rhyming cleave.

    The Truth and Lies of Lovers

    No, I’m not chasing – the truth in the lies, the chance

    dreams, so alluring – that without consequence

    they remain recurring, – would ruin all thought of romance

    until they sting, – until words are lost in a frozen glance,

    *

    until these eyes lose their fire – until love loses its luster

    but I could chase a desire – reducing a reality to a blur,

    if the circumstances should require, – may a change of heart occur,

    that a lover be reduced to a liar – to conjure any truth I could muster.

    #268

    KM Ryan, 19, college student, have written poetry for about 7 years, took a few months off over the summer to focus on other activities. KM Ryan’s poetry can be found at: Mind on Display.

    • (Previously here).

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    Cleave by Andrea Barton

    In discussion, submission on November 3, 2008 at 7:48 am
                          Cleave
    
                      It isA- joining of words
            A fusion and -cleave– separated by
    oddly, a division thatis– a physical gap
                 ruptures -the – eye’s path
       the rhythm hereopposite- to a smooth
            joint venture -of- meaning
          in clutching -itself- as one


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      cleAving it by Dennis Kelly for k. m. ryan

      In submission on November 2, 2008 at 4:41 pm

      cleAving it —  for k. m. ryan

      
      
                jeez—intricate
          imagine—being able
       forgetting—to do
          thinking—3-ways
           doing it—doing it now
        writing it—cleaving it
      intuiting it—the hyphens
                now—your guides


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      tHe mAgic typEwritEr (cleave poetics 2/19) by Dennis Kelly

      In submission on November 2, 2008 at 8:42 am
      CLEAVE POETICS 2 of 19
      
      2.
      
      “I remember waking up one
      morning with the look of that
      page in my mind.”
      —Clark Coolidge,
      Postmodern Poetry:
      The Talisman Interviews
      
      i wake up—in the morning
      with the page—in my mind
      the layout of—the cleave
      long-lines—becoming one
      
      the cleave voice—sketching
      provoking me—to visualize
      the phantom page—again
      the usual way—linking lines
      
      the overall—arrangements
      pages waiting—patiently
      to be written—to be typed
      creating them—back again
      
      cleaving—the darkness
      improvisational—incognito
      fingers typing—magic keyboard
      words of light—onto a screen
      


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        tHe mAgic typEwritEr by Dennis Kelly

        In submission on November 1, 2008 at 7:42 am
        CLEAVE POETICS 1 of 19
        
        tHe mAgic typEwritEr
        “It is a parasurrealism
        that examines its own
        lyrical structure…
        a lively, dramatic
        edginess, a visceral
        sense of “being there.”
        —Charles Borkhuis,
        “Writing from Inside Language:
        Late Surrealism and Textual Poetry
        in France and the United States,”
        Telling It Aslant:Avant-Garde
        Poetics of the 1990s 
        1.
        
        “How much of poetry is
        unprovoked thought?”
        —Clark Coolidge,
        The Crystal Text
        
            what provokes—cleavage?
              that which is—blank?
             a new kind of—line?
                 three lines—in one?
        
                   how to be—simultaneous?
                  three-way—at the same time?
               rearranging—past present future?
                   writing it—into a new tense?
        
                      picasso—does it
                   juan gris—does it
                kandinsky—does it
                     braque—does it
        
                   but what—do they do?
                do they do—cubism?
        or does cubism—do them?
                provoking—such cleavage?
        

        (Previously here).
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        The Cleave October 2008 update

        In announcement on November 1, 2008 at 7:28 am

        Another month, only our second, and we have reached a new high point: Ron Silliman mentioning us on his extremely popular poetry blog. However, our greatest assets are our cleave poets themselves. Thank you so much.

        Let us aim to go onward and upward. I believe success is a by-product of trying.

        Here are some summary stats.

        Page Views:

        Unique Visitors:


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        A repeat of Diana Manister’s spooky cleave suite

        In submission on October 31, 2008 at 7:33 am

        This is for those who enjoy the spooky: a repeat of Diana Manister’s great cleave suite.

        Dancing with Mary Shelley and Henry James

        A Cleave Suite

        the phantasmagoric audience – all of them having

        strangely -  the same face

        takes the stage, -  multiples of one man

        acting all the parts -  a replicating fantôme

        in the dark -  populating the nightscape

        of dreaming’s Cartesian theater – by morning melting away

        withdrawing into daylight -  uncovered by lightless night

        The place, with its gray sky and withered garlands, its bared spaces and

        scattered dead leaves, was like a theater after the performance — all strewn

        with crumpled playbills

        the entity -  I

        the first person – me or mine

        is it separate or  – just a named hallucination

        a wave in a sea of they  – a drop of rain

        Whisper Your Name Three Times Into the Wind and It Will Go

        to that imaginary land of – signs

        titles, drawings & stories -  of love

        songs alluding to – April’s fragrance

        facsimiles of – r e a l sun

        showerless – showers

        counterfeit flowers -  bees in the buddleia

        always a step away from sensations – feelings and real places

        nothing is wonderful but the word -  W O N D E R

        leaving behind a sigh -  a n  e x h a l A t i o n

        whose name blew away – on a windy day

        a word as virtual as signified snow – let it rise as a whisper and go

        I saw the master — nothing could be more evident — in the light of an intense

        emotion,and I trembled, I remember, in every limb, while at the same time, by a

        blest fortune, emotion produced no luminous blur, but left him shining indeed,

        only shining with august particulars.

        I busied myself with – concocting a tale

        a story – that would speak to

        mysterious – fears

        awakening dread – quickening the blood

        I saw a body – made of ghastly fragments

        stolen from a graveyard – showing signs of animation

        moving eerily – due to its creators skill

        the pale student of unhallowed arts – making that progeny conscious

        cackling in triumphalive at last

        I caught him, yes, I held him — it may be imagined with what a passion; but at

        the end of a minute I began to feel what it truly was that I held.

        seemingly normal – nodding responses

        but hollow inside – cognizant, bright

        having no lack of  – emotional

        affects yet not  – conscious of being

        a self  – in a condition of

        rather uncanny – I-less life

        cloned with indifference or cloned with a difference

        The story had held us, round the fire, sufficiently breathless, but except the

        obvious remark that it was gruesome, as, on Christmas Eve in an old house, a

        strange tale should essentially be.

        despite disaster -  this single thing

        language  remains – survives the damage

        panic forms – phrases

        sentences – take shape

        writing alone escapes – from nothing’s pure night

        so

        let us go then you and I – along with our alters

        under the Titian-white sky

        what is the nouveau siècle to its whyless wide

        to its dumb sun

        all of us subsequents – formed by the story

        until the text ends

        Wonderful was it thus to see, and thrilling inwardly to note, that since the

        question was of personal values so great no faintest fraction of the whole could

        succeed in not counting for interest.


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        Marrow, a 3 way cleave by Andrea Barton

        In submission on October 30, 2008 at 7:36 am
                                     Marrow
            The union betweenat the core of us–the heart and the hand
             a poet’s heartis a gossamer strand–must work
                     and his handof steel–as one
        is the fine gilt threadbinding love–to fuse poetry
                         of wordsto loss–to feeling.


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        Argentina by Dennis Kelly

        In submission on October 29, 2008 at 7:22 am
                        Argentina
        
        “Los artificios y candor del hombre”
        —Jorge Luis Borges,
        “El golem”
        
          already you can see—the tragic setting
              each thing here—in its appointed place
               the broadsword—the ash destined for dido
                     the coin—ready for belisarius
              why do you weep—searching in lazy
        bronze old hexameters—gone old empires?
          when 7 feet of dirt—waits for you
         a slow rush of blood—Argentina
              watches you now—the mirror of death
              dreaming you up—spitting in your face
         all your crummy dayz—so bourgeois
         goodbye middle class—it was the house
                by the street—you grew up in
         but now peron, evita—Argentina
                wants it back—again
      • (previously here)

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      • Two personal political cleaves from Jennifer Semple Siegel

        In submission on October 28, 2008 at 7:42 am

        Here are 2 more personal political cleaves from Jennifer Semple Siegel.

        If Obama were in the Army, you’d call him–A FIVE-STAR GENERAL
        If he were an athlete, you’d call him–A GOLD MEDALIST
        If he were a plumber, you’d call him–A MUCH IN-DEMAND MASTER PROFESSIONAL
        If he were a student, you’d call him–A PH.D. CANDIDATE (ABD)
        If he were your doctor, you’d call him–ASAP!!!!
        (First published here).

        ***

        Mavericks (Apologies to William Wordsworth)

        The cock is crowing — The Mav’rick a-groaning

        The stream is flowing — The bullshit a-running

        The small birds twitter — The GOP a-flitter

        The lake doth glitter — The banks a-slippin’

        The green field sleeps in the sun; — In fog, the Moose a-hidin’

        The oldest and youngest — He and She wanna-bees

        Are at work with the strongest; — At odds with odds the longest;

        The cattle are grazing, — Joe’s six-packs are amazin’

        Their heads never raising; – Their polls ne’er a-risin’;

        There are forty feeding like one! — Seven hundred billion? Who won?

        *

        Like an army defeated — The Mav’ricks march unheeded

        The snow hath retreated, — The rescue near defeated,

        And now doth fare ill — Almost disappearin’ to nil

        On the top of the bare hill; — Come the Dems to save the bill;

        The plowboy is whooping–anon-anon: — Former playboy, flound’ring–Viet-nam:

        There’s joy in the mountains; — There’s no joy in mudslinging;

        There’s life in the fountains; — No life in the campaignin’;

        Small clouds are sailing, — There’s a-slumpin’ in autumn,

        Blue sky prevailing; — Barracuda’s a-floppin’;

        The rain is over and gone! — Over and gone: McPalin’s pain!
        Seed Poem: “March,” by William Wordsworth

        (First published here).


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      • Cleave poetry on Ron Silliman’s blog

        In media on October 27, 2008 at 8:34 pm

        We here at The Cleave feel incredibly privileged to have Ron Silliman link to us from his blog
        Silliman’s Blog (A weblog focused on contemporary poetry and poetics)
        .

        Welcome all.

        Enjoy some great pieces of poetry.

        Join in.


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      • translations by Dennis Kelly

        In submission on October 27, 2008 at 7:56 am
        translations
        “The recognition that the 
        very presence of the line
        is predominant current
        signifier of the Poetic will
        cause some poets to discard
        at least for a time, its use”
        —Ron Silliman,
        
        “Of Theory, To Practice
         cleaving masters—like ezra pound
            more than just—translating them
             word for word—line for line
        stanza for stanza—poem for poem
               it’s more like—sargasso seas
               sinking down—bermuda triangles
               disappearing—deep time & space
                   jettisoning—jetsam & flotsam
                  all the way—downward
        

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      • What is cleave poetry? A summary of my thoughts so far

        In announcement, discussion on October 26, 2008 at 7:14 am
        What is in a name?
        Cleave : is a contranym, a word with 2 opposite meanings:
        • verb 1) split or sever along a natural grain or line. 2) divide; split.
        • verb 1) stick fast to. 2) become strongly involved with or emotionally attached to.

        — ORIGIN Old English Compact Oxford English Dictionary

        In its most basic form it is three poems:
        • two parallel ‘vertical’ poems (left and right)
        • a third ‘horizontal’ poem being the fusion of the vertical poems read together.
        This is a simple and elegant concept, but it is a paradigm shift.

        It has been interesting to see the development of the cleave form so far. In less than 2 months cleave poets have modified and made it their own, making cleave in their own poetic image by cleaving in at least these ways:

        1. fusion
        2. division
        3. seeding
        4. co-operating
        5. using cleave as a meta-form
        It has been incredible to see the versatility of the cleave form. Something I had not expected, indeed it is very exciting.


        As a summary, here are 11 points. These are my current thoughts on cleave poetics.  I will expand on each subsequently. They are for discussion. Please comment and dialogue.
        1. a foundation for creativity
        2. gives freedom to explore
        3. a framework for that exploration
        4. art fused with craft
        5. focuses on multiplicity of meanings
        6. allows simultaneous seeing of the whole and its parts
        7. synergistic
        8. exercise in poetics and linguistics
        9. a meta-form
        10. poetic maturity
        11. communication and dialogue
        Finally here are some thoughts for the future:

        • Potential for multiple cleave forms and ways of cleaving including multilingual cleaves.
        • The cleave in education as a tool around which language can be taught and skills honed.
        • The cleave in poetry as a new poetic form.
        • The cleave as a way of bringing people and cultures together.
        Phuoc-Tan

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      • Maypole – a 6 way cleave by Andrea Barton

        In submission on October 25, 2008 at 6:44 am
        A 6-way cleave by Andrea Barton - a concrete cleave?
        Here are her words:
        
        "this is a six way poem based on the cleave form.
        I'm going to wait and see if anyone can figure out
        the six ways in which this poem can be read..."
        
                           Maypole
        
                             The
        brightly colored - center - celebration of
                    spring - of - ribbons
                 held by - poems - this way
                  colors - are - dancing
                girls - maypoles - that way
                twirling - driven - skipping
              twisting - into - light steps of
                children - the - laughter and
                 hope - earth - in the sun
                           and
                            w
                            a
                            i
                            t
                            i
                            n
                            g

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      • The Cleave poetry webzine promotion and publicity via social bookmarking

        In announcement, media on October 24, 2008 at 6:46 am

        Dear cleave poets, cleave readers
        In my quest to release the cleave form to the public
        I am employing the following social bookmarking sites:

        If you have the time and the inclination please pick one or more of these to join and ‘digg, bookmark, share etc’. This will raise the profile of The Cleave webzine and help others to find us.

        I will be most grateful.
        Thanks
        The Editor

        PS. You will see below each post is an “ADD THIS”  button, clicking on it will give you a list of more bookmarking sites and services than you knew existed.


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      • All Along the Campaign Trail! by Jennifer Siegel

        In submission on October 23, 2008 at 6:59 am
        A personal political cleave poem by Jennifer Semple Siegel,
        seeded with Robert Louis Stevenson.
        (First appearance: here).
        
                        All Along the Campaign Trail!
        
               In the other gardens -- On the endless networks
               And all up the vale, -- And all through cyberspace,
           From the autumn bonfires -- From Springtime surprises
               See the smoke trail! -- Now see how they placed!
                                     *
               Pleasant summer over -- Conventions now passed
        And all the summer flowers, -- And all summer potshots,
               The red fire blazes, -- O'Biden blazes hot,
             The grey smoke towers. -- McPalin does not.
                                     *
            Sing a song of seasons! -- Sing a song of absurdity!
           Something bright in all! -- All frightful in Fall!
             Flowers in the summer, -- Hucksters all through Summer,
                 Fires in the fall! -- One winner nabs all!
        
        --Seed Poem: "Autumn Fires," Robert Louis Stevenson--

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      • The Stylist: Cleave translations by Dennis Kelly

        In submission on October 22, 2008 at 6:50 am
        The Stylist
        —Cleave-translations from
        Ezra Pound’s Personae (1926)
        _______________________________
        1 perfection
        2 stylist
        3 risqué
        4 metro
        5 words
        6 vice
        7 lily
        8 valentino
        9 eyes
        ________________________________
        perfection
        (previously published: here)
        —based on “Salvationists”
        Ezra Pound’s Personae (1926)
        the stylist
                   the stylist—unpaid, uncelebrated
            beneath saggy roof—seeking shelter
                words on paper—receive him
             placid uneducated—exercising his talents
        without sophistication—writing
            while his mistress—behind creaky door
                    makes love—cooks feasts for him
        —based on “Beneath the Sagging Roof”
        Ezra Pound’s Personae (1926)
        risqué
            they say—risqué
         my cleaving—canzonetti
           composing—four A.M.
        listening to—her music
        seeing diana—nude in her bathtub
             bathing—blushing
          delectable—in the delicate
            sunlight—skylights
                thru—castalian spray
         the granite—cliffs of helicon
           gathering—about me my
                dice—weak knees
        —based on “Ancorda”
        Ezra Pound’s Personae (1926)
        metro
        the apparition—of these faces
          in the crowd—pennies
                  from—heaven
        —based on “In a Station in the Metro”
        Ezra Pound’s Personae (1926)
        words
                   words—words
          manila folders—giving the illusion
        order everywhere—actually chaos rules
                  my den—library knows
               the truth—jungle words
                    gone—amok
        vice
               sarah palen—amorous
        thus have the gods—elaphantine
         republican voters—republican votes
               blessed you—allowing you
                   my dear—to rule in vice
        —based on “Phyllidula”
        Ezra Pound’s Personae (1926)
        lily bart
               flawless—aphrodite
             thoroughly—beautiful
        tableaux vivant—goddess
            your posing—concerns me
        —based on “Ladies”
        Ezra Pound’s Personae (1926)
        valentino
           9 adulteries—12 liaisons
        64 fornications—a rape
                nightly—how you brag
              valentino—my friend
              seemingly—so loud
             effortless—and sexy
                while I—on the contrary
             never talk—I’m shy about
                   love—romance
         being recently—father of twins
           accomplished—at some cost
             four times—cuckolded
        —based on “The Temperaments”
        Ezra Pound’s Personae (1926)
        eyes
        (previously published: here)
        —based on “The Seeing Eye”
        Ezra Pound’s Personae (1926)

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      • Cleave of the Month September 2008 short list

        In announcement, cleave of the month, submission on October 21, 2008 at 6:22 am

        We decided on a short list of 4 cleave poems for September 2008.

        See Cleave of the Month for our choice.

        
        
        Two visions: Ezekiel and Aphrodite by Brian Fone
               Ezekiel saw a vision,-a gleaming godly vision,
            saw wheels within wheels-making the mind spin
            spreading across the sky-as it slowly revealed itself
        dazzling the enlightened man-with all its terrible beauty
                   sweeping him away-and took watcher, mind and body,
         from the reality around him-with its naked, shining splendour.
        
        
                   Point of view by Andrea Barton
                            I see - the same thing:
                              you - through a different lens
                        your eyes - blue, oceanic
                the way they look - a sea to one
        they take in the distance - to another, sky
                    the center of - the you place
                            maybe - eyes wide
                 there aren’t any - hollower places;
                       starpoints - or pinpricks of light
                         only you - through a different lens
                             your - eyes, the way they look
                        blue gaze - and the way you see.
        
        From the cleave suite Dancing with Mary Shelly and Henry James by Diana Manister
                                  I busied myself with - concocting a tale
                                                        a story - one which would speak to
                                                 mysterious - fears
                                     awakening horror - terror
                                                          dread - quickening the blood
                                              I saw a body - made of ghastly fragments
                           stolen from a graveyard - showing signs of animation
                                             moving eerily - due to its creators skill
        the pale student of unhallowed arts - giving consciousness to his progeny
                                  cackling in triumph - it is alive
        
        
        
        ___black panther by Dennis Kelly
        A cleave ‘Translation’ from Pound’s Personae  (1925)
         
         the black—panther
              sleeps—beneath
         the black—jungle sky
        blackness—everywhere
        except for—his dark green
                 eyes—eyes
           closing—opening

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      • Dancing with Mary Shelley and Henry James A Cleave Suite by Diana Manister

        In submission on October 20, 2008 at 6:50 am

        Dancing with Mary Shelley and Henry James

        A Cleave Suite

        the phantasmagoric audience – all of them having

        strangely -  the same face

        takes the stage, -  multiples of one man

        acting all the parts -  a replicating fantôme

        in the dark -  populating the nightscape

        of dreaming’s Cartesian theater – by morning melting away

        withdrawing into daylight -  uncovered by lightless night

        The place, with its gray sky and withered garlands, its bared spaces and

        scattered dead leaves, was like a theater after the performance — all strewn

        with crumpled playbills

        the entity -  I

        the first person – me or mine

        is it separate or  – just a named hallucination

        a wave in a sea of they  – a drop of rain

        Whisper Your Name Three Times Into the Wind and It Will Go

        to that imaginary land of – signs

        titles, drawings & stories -  of love

        songs alluding to – April’s fragrance

        facsimiles of – r e a l sun

        showerless – showers

        counterfeit flowers -  bees in the buddleia

        always a step away from sensations – feelings and real places

        nothing is wonderful but the word -  W O N D E R

        leaving behind a sigh -  a n  e x h a l A t i o n

        whose name blew away – on a windy day

        a word as virtual as signified snow – let it rise as a whisper and go

        I saw the master — nothing could be more evident — in the light of an intense

        emotion,and I trembled, I remember, in every limb, while at the same time, by a

        blest fortune, emotion produced no luminous blur, but left him shining indeed,

        only shining with august particulars.

        I busied myself with – concocting a tale

        a story – that would speak to

        mysterious – fears

        awakening dread – quickening the blood

        I saw a body – made of ghastly fragments

        stolen from a graveyard – showing signs of animation

        moving eerily – due to its creators skill

        the pale student of unhallowed arts – making that progeny conscious

        cackling in triumphalive at last

        I caught him, yes, I held him — it may be imagined with what a passion; but at

        the end of a minute I began to feel what it truly was that I held.

        seemingly normal – nodding responses

        but hollow inside – cognizant, bright

        having no lack of  – emotional

        affects yet not  – conscious of being

        a self  – in a condition of

        rather uncanny – I-less life

        cloned with indifference or cloned with a difference

        The story had held us, round the fire, sufficiently breathless, but except the

        obvious remark that it was gruesome, as, on Christmas Eve in an old house, a

        strange tale should essentially be.

        despite disaster -  this single thing

        language  remains – survives the damage

        panic forms – phrases

        sentences – take shape

        writing alone escapes – from nothing’s pure night

        so

        let us go then you and I – along with our alters

        under the Titian-white sky

        what is the nouveau siècle to its whyless wide

        to its dumb sun

        all of us subsequents – formed by the story

        until the text ends

        Wonderful was it thus to see, and thrilling inwardly to note, that since the

        question was of personal values so great no faintest fraction of the whole could

        succeed in not counting for interest.


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        Indolence by Royce Icon

        In submission on October 19, 2008 at 8:27 am
        Introducing a new cleave poet:
        
              Indolence by Royce Icon
                  This - I fell asleep on the bus
         Kind of thing - Dizzy and drooling
        Always happens - I awoke in a foreign area
                    To - Worried and delirious
                    Me - Miles away from my stop


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      • Two cleaves by Dennis Kelly

        In submission on October 17, 2008 at 6:44 am
              Three way(s)
        
        cleaves are—three way(s)
         new LangPo—doorways
           the Line—opening up
                  
                        eyes
        
          small pigs—looking at
              big pigs—observing
            unwieldy—dimensions
               curious—imperfection of odors
             a formal—male group
           gathering—together
         young pigs—looking at old pigs
        considering—the elderly mind
           observing—inexplicable correlatives
        
        
        —based on “The Seeing Eye”
        Ezra Pound’s Personae (1926)
        
        


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      • Plan 9 from Outer Space by Jennifer Siegel

        In submission on October 16, 2008 at 7:43 pm

        Jennifer Semple Siegel is our newest cleave poet and has a new type of cleave:

        “Cleave-movie poem” using a “seed poem” named after Mac Low’s diastic compositional model.

        Here is a link to her site where it first appeared.

        The seed poem is the text on the movie poster.

        http://www.snark.me/2008/09/cleave-poem-for-puget-plan-9-from-outer.html

        Plan 9 from Outer Space

        A cleave poem for Puget
        Unspeakable -- Mad Bela croaking L-O-N-G before wrap
            Horrors -- Worst  movie  ever made? Camp Sci-fi?
               From -- Sea to murky sea, a  cult hit
              Outer -- Cloaking for  chiropractor Tom Mason
              Space -- Vampie Vampira from  Outer Space
          Paralyze -- Almost. Nearly  tanking sans its Zombie star
               The --  Filming: never, never after dark
            Living -- Zombies: Pod People  9 years in future
               And -- Changeling costumes  morphing mid-scenes
         Resurrect -- The continuity  person
               The -- Star: Ed Wood  who pulled it off anyway
             Dead! -- Viral!
        
        


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      • Submission: Andrea Barton

        In submission on October 11, 2008 at 7:19 am

        A great little cleave by Andrea. Something to ponder on.

        I’m out of town until Thursday.

        Also, I’m trying out some different formatting.

        Enjoy.

        Lots more cleaves and thoughts when I return.

                   Things I Need by Andrea Barton
        
                     In the end - it comes to this:
                  I parse words - on a grocery pad
                meant for lists - for things I need.
              A line drawn down - the middle of my words
                    my thoughts - rent in half
                    on a Sunday - in the wee days of this new fall
        at the end of September - I believe
                         I need - and want
                    to remember - these words.

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      • Performance and Written Bookhabit Poetry Competition 2008

        In announcement on October 9, 2008 at 5:47 am

        *Update 2*

        A clarification from Clare regarding their definition of ‘published’:

        “Published” on the internet is fine unless you have been paid for it.

        *Update*

        There is now a cleave poem section in the competition.

        Submit and vote for the cleave poets!

        I will link to your poems from here.

        Thanks to Clare Tanner

        ***

        I received a link for a written and performance poetry competition.

        Performance cleaves for a wider audience?

        Performance and Written Bookhabit Poetry Competition 2008

        Dennis Kelly’s further thoughts on Cleave poetics

        In discussion, submission on October 7, 2008 at 9:31 pm

        CLEAVE POETICS For Phuoc-Tan, Diana, Laurie and Jennifer

        *

        How to write a Cleave poem?

        Write the horizontal poem first.

        Cleave the poem into 2 vertical poems.

        Cleave with hyphens—using your intuition.

        The vertical poems are the zen payoff.

        They’ll read choppy somewhat but intelligent.

        The gestalt one feels is unique because it’s yours.

        It’s your horizontal poem to begin with.

        But the 2 vertical poems are spontaneous.

        Like Mac Low’s diastic impromptu method.

        Except the cleave method is quicker.

        It’s more spontaneous and otherworldly.

        Because it’s you confronting your double.

        Your poetic doppelganger in the NOW.

        The left hand & right hand poems are one.

        They’re not discrete poems.

        They’re the surprise Bingo that happens.

        The left and right poems aren’t stitched together.

        Hunting and picking for combos that fit…

        Cleaving one poem into two—that’s the trick.

        Not stitching two poems into one.

        What I want is surprise, joy and wonder.

        My way gives the poet a double-whammy.

        Cleave collaboration for me is Translation.

        Translating Pound’s Personae, for example.

        Pound put his Anthology poems together for a reason.

        They were his Imagist Manifesto.

        He jump-started the Modernist Movement.

        Eliot and Joyce did too. The three of them.

        With Personae, The Waste Land and Ulysses.

        But Pound did it somewhat differently.

        Thru small discrete poems—rather than Long Poems.

        The Waste Land = Long Elegy

        Ulysses = Long Love Lyric Irish Fairy Tale

        Pound wanted to embrace & extend the Past.

        Eliot and Joyce as well… each did it differently.

        Personae (1926) was Pound’s American Tree (Silliman).

        LangPo Poetry grew once Silliman’s Anthology (1986) came out.

        http://en.wikipedia.org/wiki/Ron_Silliman

        Personae is a thin little volume—an easy read.

        The American Tree is thick—many machines on Ix.

        Better than those on Richese?

        How to start a Cleave Movement?

        Call it CloPo or maybe CleavePo?

        How about an Anthology?

        An Anthology is like a Baseball Park.

        Build it—and they will come.

        *

        **

        ***

        **

        *

        perfection

        now—my little cleaves

        let us—speak perfection

        show—simplicity

        let us—elegantly

        tell—our little story

        *

        —based on “Salvationists”

        Ezra Pound’s Personae (1926)

        *

        **

        ***

        **

        *

        (“Come, my songs,

        let us speak of perfection—

        We shall get ourselves

        rather disliked.”)

        *

        Now let us show—let us tell.

        Let our little cleaves speak perfection.

        Simplicity—elegantly telling a story.

        Each story—extemporaneous.

        Each story—impromptu.

        Each story—imbued with ad lib.

        Each story—ours to show & tell.

        *

        dennis kelly 9/23/2008


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      • Cleave of the Month

        In announcement, cleave of the month on September 28, 2008 at 7:14 am

        Cleave of the Month:

        Whilst I am focused elsewhere (for the next 2 weeks or so) I will introduce ‘Cleave of the Month’.

        Please vote for your favourite cleave poem (excluding the Editor’s),

        published in September,

        by posting a ‘comment’ in this format

        (or any other format if you strongly disagree)

        attaching it to this post:

        • Poet’s name:
        • Cleave poem title (or first line):
        • Date published:
        • What can be learnt from this cleave?

        The Editor

        Submissions: Dennis Kelly

        In submission on September 28, 2008 at 6:50 am

        Cleave ‘Translations’ from Pound’s Personae (1925)

        ______cleavages

        __is it poetry—or just a game

        ____creating—beautiful cleavages

        these elegant—crossword puzzles

        ___three-way—entertaining

        ___labyrinths—mazes?

        _______de jour

        __scattered—fragments

        not knowing—day to day

        _tomorrow’s—menu

        ______split—pea soup

        ____cleave—de jour

        ____________mac low

        _________for laurie elaine

        _________i studied—aleatoric poetry

        ___botticellian splits—mac low’s diastic

        ______doubling back—seed to source

        carefully capitalizing—the key letters

        ___to form the name—diagonally down

        _____a pretty effect—but I got bored

        ____not enough tho—give me estrangement

        ___cleaving is more—narratological

        _not just two texts—seed & source

        but three new texts—folding into one

        _________origami—surprise kit

        ____official poetry

        __light-hearted—i woke up

        ___in the wold—nonchalantly

        _the magnolias—blooming

        ____stifled me—faint of breath

        smothered me—the stench

        ______rotting—official poetry

        ___________anthology

        _____________go—cleave-born book

        ________tell them—diamonds flake

        ______down there—where sapphires

        ____________burn—liquid emeralds fume

        rubies red as blood—flow like lava

        ___________deep—down inside me


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      • Submission: Diana Manister

        In submission on September 28, 2008 at 6:36 am

        A Bawdy Poet Laureate Enjoying Naughty Nights

        our dreams – disguises
        _____relieve – our
        _______days – null
        _____nought – fraughts

        Submission: selection of cleave poems from greatwriting.co.uk

        In submission on September 28, 2008 at 6:31 am

        A selection of cleave poems from greatwriting.co.uk.

        De-stressed-Distressed by John Bevan (aka Katanga)

        __I’m certain that-I’m overtaxed
        __stone-deaf, I’ll-need my ears waxed
        ________not hear-sometime soon
        annoying noises-What a buffoon!

        Feeling dies by Rachel Prudden (aka Rioka)

        ______this beautiful-feeling dies in me
        ________ally of mine-you can’t hurt me
        _______reaching out-for your desire
        __and freezing time-does not inspire
        an aching heart but-tears in my eyes
        _____for you I smile-though I should cry

        The Circus by Brett Evans (aka Brett)

        ____The circus rolls-with joy and glee
        __________into town-a novelty
        ___an ageing clown-shows its face
        __proving youthful-without disgrace
        __to such old jokes-we all connect
        though his respect-through our neglect
        _no longer chimes-of ancient rhymes.

        Two visions: Ezekiel and Aphrodite by Brian Fone (aka patterjack)

        _________Ezekiel saw a vision,-a gleaming godly vision,
        ____saw wheels within wheels-making the mind spin
        _____spreading across the sky-as it slowly revealed itself
        dazzling the enlightened man-with all its terrible beauty
        __________sweeping him away-and took watcher, mind and body,
        __from the reality around him-with its naked,  shining splendour.


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      • Submission: Andrea Barton

        In submission on September 26, 2008 at 7:34 pm

        ___________________Point of view


        _________________I see - the same thing:
        __________________you – through a different lens
        _____________your eyes - blue, oceanic
        ______the way they look - a sea to one
        they take in the distance - to another, sky
        __________the center of - the you place
        ________________maybe – eyes wide
        _______there aren’t any - hollower places;
        ____________starpoints – or pinpricks of light
        _____________only you - through a different lens
        _________________your – eyes, the way they look
        _____________blue gaze - and the way you see.


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      • Submission: Dennis Kelly

        In submission on September 24, 2008 at 5:39 am

        A cleave ‘Translation’ from Pound’s Personae (1925)

        ___black panther

        _the black—panther

        _____sleeps—beneath

        _the black—jungle sky

        blackness—everywhere

        except for—his dark green

        ________eyes—eyes

        ____closing—opening


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      • Submission: Sue Millard

        In submission on September 23, 2008 at 5:25 am
        _______________Escapism

        _____high in the thin blue – the moon hangs static
        a vapour trail slides south – brilliant in the dawn
        ________shunning winter – cold and enigmatic
        ____for summer freedom – she yearns
        ______yet earth’s gravity – escaping each year
        her beginning and ending – a little further into space

        Sue Millard: I have had three books published so far, One Fell Swoop, Against the Odds and Hoofprints in Eden (a 2-year project published by Hayloft). Pearl Wedding is self published, as is the second edition of One Fell Swoop. Others are in the pipeline or with publishers.
        Recently I’ve also been doing a good deal of editing and proofing work for other writers, running various web forums on equestrian and literary subjects, and helping to start up a local rural writers’ group.

        I’ve done quite a bit of writing for equestrian magazines over the years. However, I earn my living as a university lecturer and not as a writer; go figure.

        I write to clarify thought and make it accessible, using poetic forms or prose as I think fit. I refuse to confuse, and I enjoy metrical and rhyming forms, all of which which probably excludes me from the modern poetic mainstream.


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      • Cleave poem by Phuoc-Tan Diep

        In submission on September 22, 2008 at 5:13 am


        _________________________
        Steak and red wine

        _______________The sirens whine-flames flash
        _____and lights slice through smoke-
        heavy with the smell of steak
        shrouding bodies littering the ground-
        charred at the edges.
        __The policeman stalks a straight line-
        I swallow, I gulp
        _____________________I wobble,-
        expensive
        ______________booze on my breath-
        red wine
        ______________and guilt in my guts-
        trying to conceal burnt meat.


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      • Submission: Diana Manister

        In submission on September 21, 2008 at 6:33 am

        _____________The Zombie Problem

        see:

        Dancing with Mary Shelley and Henry James A Cleave Suite by Diana Manister

        “I set a goal for this poem that I think uses the bilaterality of the form. I wanted each vertical reading to produce a different meaning, both of which blend into the third overall reading.” Diana Manister


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      • Cleave poem submission by Andrea Barton

        In submission on September 20, 2008 at 7:03 am

        Welcome Andrea to The Cleave. This poem shows how the Cleave can be a form of parallelism like the Psalms and Hebrew wisdom literature. If you feel inclined to more parallelism try this link on writing a psalm.

        _______________Oh- my god:
        _________give me - strength,
        _____forbearance, - for another day
        a life lived richly - with love
        ________and with - gratitude for
        ________what are - hard lessons
        _____God’s plans - for me.

        Andrea Barton teaches Creative Writing and Communications to high school students. Her own poetry was last published in the Lewis and Clark Literary Review. Most recently she was recognized as a notable new Staff Pick at the Gotpoetry? website under the alias, “HSTeechwhere much of her current work can be found. She lives with her daughter and Chacha the Cat in the bucolic suburbia outside of Hartford, CT.


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      • Cleave poem submission: tea and sympathy by Dennis Kelly

        In submission on September 19, 2008 at 5:53 am

        ___________tea and-sympathy

        “the pictorial technique

        of inserting a painting

        within a painting

        corresponds, in the world

        of literature, to the

        interpolation of a fiction

        within another fiction”

        —Jorge Luis Borges,

        “When Fiction Lives in Fiction,”

        Selected Nonfictions

        ________two poems-then three

        _____living together-a family of one

        _____endless stories-a house of mirrors

        a whitman’s sampler-of little goodies

        ____little zen-jumps-bonjour gide genet borges

        ______zen + langpo=langcleave

        mise en abîme detours-tres scheherazadesque

        ___z=e=n cleavages-to entertain guests

        ________sipping tea-with sympathy


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      • The Cleave Webzine: the story so far

        In media on September 18, 2008 at 5:51 am

        So here we are, just over 2 weeks since the beginning.

        The stats are interesting: 97 unique visitors to the webzine.

        Page views are increasing gradually (obviously not including the editor’s).

        So where do we go from here?

        Help us grow. Join us on this journey.

        What does it take?

        The time to attempt a new poetic form and submit it?
        What goes through my mind are cliched phrases such as: “Seize the day” & “who dares wins.”
        They are truisms.
        Life is too short. We live. We die…

        Take a chance on more than mediocrity. Gamble that this could be a new poetic movement.
        And what if it isn’t, what have you lost? Nothing.

        Live on, explore life. There are answers out there, but the trick to finding them may be asking the right questions.

        Have a good day – live it.

        The Editor.

        Cleave poem submissions: Dennis Kelly’s thoughts on Cleave poetics

        In discussion, submission on September 17, 2008 at 11:44 am

        Here are some of Dennis Kelly’s thoughts on Cleave poetry.

        Any more thoughts?

        _____cleave/manifesto

        ______—for Phuoc-Tan Diep

        __________________thinking-differently

        ____________trying it once-trying it again

        blasting the poetic public-with our new cleavages

        _______cleaving that place-in their brains

        they didn’t know existed!-where angels fear to tread!

        ____uncleaving ourselves-poetically speaking

        _starting something new-not knowing where it’s going

        _____trying all the doors-to find openings
        ________that cleave form-pushing our brains

        ___________paratactically-aesthetically

        _____________cleave me!!!-cleave me!!!

        _____LangClo Cleavage

        ___—for Phuoc-Tan Diep

        _______Please-don’t listen to me

        I’m just trying-to charm you

        ____the world-out of you

        ____ out on you-into me

        _______synergy-fusion

        _co-operation-dialectics

        ____marriage-interdependence

        ___teamwork-The Trinity

        ____________diamond cleavage

        ____cleaving is like = making love
        lying on your back = with her on top
        _doing all the work = cleaving you
        ______perfectly still = like a diamond
        ____the cleave/gem = a diamond haiku


        ____________________technique

        _each cleave is different—just like making love.
        ____each time is unique—and erotically intense.
        _______each cleave-gem—cleaves the brain perfectly.
        each time is right brain—left brain cleave.
        _right down the middle—splits you in half.
        __each diamond cleave—is yours to keep.
        ____it doesn’t last long—but it’s deep.

        Cleave poems: © 2008 Dennis Kelly


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      • Cleave poem submission by Diana Manister and a joint performance Cleave with Dennis Kelly

        In submission on September 16, 2008 at 5:41 am
        __________From Mary Shelley’s Preface to the First Edition

        Cleave poem: © 2008 Diana Manister


        __________Elsa Lanchester-Bride of Frankenstein
        __________Diana Manister-Dennis Kelly

        ____Elsa Lanchester plays – Mary Shelley and
        ____Bride of Frankenstein – all women knowing without a doubt
        what research now shows – that Baron Frankenstein guys
        ______most mad scientists – played by Colin Clive types
        ________are deeply in love – are deeply in love with themselves
        ____“It’s alive!! It’s alive!!” - “It’s alive!! It’s alive!!”
        ______________“It’s alive!!” - “It’s alive!!”
        _______________“It’s Me!!!!” – “It’s Me!!!!”
        _____________“Eternally!!!” – “Eternally!!!”
        ______________“Forever!!!” – “Forever!!!”
        ___________________“Me!!!” – “Me!!!”

        Cleave poem: © 2008 Diana Manister & Dennis Kelly


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      • Cleave poem submissions by Dennis Kelly

        In submission on September 15, 2008 at 4:19 am

        ______________young-old

        _______________Once-a long time ago
        ____there was a time-when I was young
        back when I was old-back when time stopped
        _when time went by-slowly like black molasses
        __slower and slower-creeping like a snail
        _____a long track of-shiny slimy words
        ____midnight words-film noir words
        _____mystery words-detective words
        ____true confession-sci-fi words
        ________pulp fiction-sports words
        ________latin words-old high german
        _______action words-surrealist words
        ___words of wonder-words of magic
        _____wordhordes of-old weirding ways
        ____towers of babel-skyscraper words
        ______getting slower-and slower
        ______slowing down-slowing down
        ________then slower-and slower
        _________then finally-finally home
        _________back home-back home
        ______________young-old


        ___________A Swarm of Gnats

        ____________(Mückenschwarm)
        __________—for Herman Hesse

        _____The gnat swarm-swarming on the lawn
        gets bigger each day-müchkenschwarming away
        ___rising and falling-scattering recentering
        _outside my window-like a Mardi Gras crowd
        ____raving delirious-creating their own parade
        ___making even me-their View Carré voyeur
        ______queen for day-shivering with joy
        ______extravagantly-voyant me

        Cleave poems: © 2008 Dennis Kelly


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      • Cleave poem submission by John Bevan

        In submission on September 14, 2008 at 6:31 am

        _______________________A Cleaved Limerick

        ____There is a young poet - in Wales
        _________ _who is unique - among males
        _________________in that - I think
        ______________he refuses – a drink
        to compose what he knows – never fails

        Cleave poem: © 2008 John Bevan


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      • Cleave poem submission by Diana Manister

        In submission on September 13, 2008 at 8:13 pm

        ________________________________REM

        see:

        Dancing with Mary Shelley and Henry James A Cleave Suite by Diana Manister

        Cleave poem: © 2008 Diana Manister

        Diana Manister is New York City poet who has performed her poetry live at such various
        venues as the late lamented punk rock club CBGBs, famed St. Mark’s Church Poetry Project,
        The Living Theater and at Carnegie Hall where she was a winner in the Lyric Recovery Festival.

        A Contributing Editor of the ezine BigCityLit.com, she is also an elected member of the American Branch of the International Critics Association (AICA). Her poetry reviews appear regularly in The Modern Review and online at BigCityLit, about.com, small press exchange and artezine. Her poems have been published in print and web publications including PoetryRevolt, Autumn Sky, Salonika, Big Bridge, Waterworks and others, and anthologized in Distance From the Tree and The Company We Keep from Headwaters Press.


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      • Call for submissions: The Cleave (Cleave Poetry Webzine)

        In announcement, media on September 6, 2008 at 5:23 pm

        In a post-millenial age what do poets have to offer a fragmented and searching Society?

        Is the pendulum swinging from analysis and fragmentation to synthesis and fusion?

        After analysis comes synthesis – and the creation of The Cleave poetic form.

        There are signs that our age will become an age of co-operation, fusion and synergy.

        Join us at the beginning of this exciting and radical poetic form that has the potential to embody these core values.

        Submit your Cleave poems, no matter how faltering your steps are initially.

        We can all learn together along the way.

        Submission Guidelines:

        1. Please explore, experiment and extend this form in your own personal way.
        2. Articles and thoughts on Cleave poetry welcomed.
        3. Submissions by email only.
        4. Send your submissions to cleavepoetry (at) gmail (dot) com and include the words CLEAVE SUBMISSION in the subject line.
        5. Please supply a short biographical note and web URL if you so desire.
        6. Your submissions should be in the body of the mail, preferably with hyphens separating the 2 parts of the cleave poem, further formatting will be done.
        7. You retain full copyright of your work – by submitting you grant us a non-exclusive right to reproduce your work.
        8. Contributions in English please.
        9. We do not pay for submissions.
        10. We are in “Proof of Principle” mode for the present time.

        The Editor


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      • 15MinutePoet for The Cleave

        In media on September 6, 2008 at 1:48 pm

        The Cleave is spotlighted:

        Tonight on 15MinutePoet.com we shine a light on a new literary form called, Cleave Poetry with an explanation and an example from the creator of Cleave Poetry.

        15MinutePoet.com is a great poetry website in the USA which highlights Poets (and the domain has a Google Page Rank of 5). Thanks for my 15 minutes.

        Onward and upward we go…

        A cleaving of minds: Joint Cleave Poems

        In submission on September 5, 2008 at 7:59 pm

        These are joint cleave poems, they were amazingly fun to do together.

        One person does one side and the partner/opponent does the other.

        1) 29.11.06

        Huddled together these fragments – flung through time
        _________________coalesce to form – the spine of a withering frown
        ________________a look of sadness – drops
        _______________like trembling rain – beading the glass
        _____________before the unveiling – eye

        2) 30.10.06

        __Pretend the violets count
        – on icicle fingers
        ___________crispy with wit – and rings of truth and lies
        _______drawn out the lines – inscribed with frozen thoughts
        __Their thoughts must sag – bending brittle branches
        as skulking shoots unwind – the breath of winter dies

        3) 29.10.06

        The words shimmer on my skin – new as bright clouds
        ______forming water memories – their shapes indistinct
        ____-__intermingling hesitantly – with inexperienced longing
        ____I try to hide their meaning – : the peel of shed things
        _____falling, ringing like bells, – curled into fists.

        Cleave poems: © 2006, 2008 Phuoc-Tan Diep & Maggie Diep (nee Blick)


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      • The Cleave: ISSN 1758-9223 (The Cleave Poetry Webzine)

        In media on September 5, 2008 at 6:48 pm

        The Cleave is now a registered webzine.

        ISSN 1758-9223

        Onward and upward.

        Please come join us for the journey.

        Cleave poems by Brett Evans and John Bevan

        In submission on September 4, 2008 at 7:14 pm

        These poems first appeared on the Great Writing Website.

        Cleave: Taste

        ______I long to taste my lover once again
        Such sweet desserts I’ve tasted from the bottle
        Though never have my senses ceased to dance
        ___Because my love as many times before
        __Has never spoken she keeps me on my back.

        Cleave poem: © 2008 Brett Evans

        Cleav-age

        ____
        bitter and wine milk and honey
        are more than fine and scones for tea
        ____you offer more I realise
        ______to me before in some surprise
        ________I go to bed and in my dreams
        _____I rest my head by moonlit streams
        ______I find a sleep I hold a peace
        ____in which I weep when will war cease?

        Cleave poem: © 2008 John Bevan


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      • Cleave Poems by John Bevan.

        In submission on September 3, 2008 at 8:16 pm

        Let us begin:

        Here are cleave poems from our first contributor John Bevan.

        His penname is Katanga at the Great Writing Website (where these poems first appeared).

        A Cleave Poem: Dancing Girls

        And now bring on the dancing girls
        the girls who long lift their skirts
        to dance all night from dusk till dawn
        in pale moonlight but then are torn
        _sleepless crying from empty dreams
        __darkness dying or so it seems

        Two cleaved haikus: Mourning Morning

        Lightning cleaves the sky, thunderbolts crash down,
        __taking dawn’s virginity, beseaching our forgiveness,
        mocking morning’s peace as the birds scatter.

        Two cleaved Senryus: Gain – Loss

        _______search the internet look out for a word
        has anyone found a name that means more than desertion
        _________for our new baby and a lost future

        Cleave poems: © 2008 John Bevan


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      • Cleave poem: A new experimental poetic form.

        In announcement, discussion, submission on September 3, 2008 at 5:57 pm

        In 2006 I came up with an idea for an experimental poetic form called the Cleave Poem.

        One of my aims was to examine how something can be more than the sum of it’s parts and can be 3 in 1: synergy, fusion, co-operation, dialectics, marriage, interdependence, teamwork and The Trinity.

        How to read a Cleave poem?
        Simply:

        1. Read the left hand poem as a first discrete poem.
        2. Read the right hand poem as a second discrete poem.
        3. Read the whole as a third integrated poem.

        Here are 2 of my cleave poems.

        0000000000000000Cleave: Charm.

        ______________________Don’t let him charm you
        don’t listen to his promises his words like birds
        _____________scattering flies that flit from brow to lash,
        ________ready for your flesh, stroking feather kisses on your lips
        __he squawks in expectation humming in your ears,
        __flapping inside your skull as he lies next to you.
        _____________________Don’t! Let him charm you!

        (first published in Lights out & other poems: 26 July 2008.)

        ***

        000000000000Cleave: (untitled)

        _____The thief brings darkness, she waits
        ____he brings the sun for her love
        _held beneath his arm her heart
        the light of day blazes bright

        _________he is united aching
        _______with his lover now sightless
        ________he holds her blind from the sun

        (first published in Ink Sweat and Tears: 9 April 2007)


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